Tracey Rose

Tracey Rose
Born 1974
Durban, South Africa
Nationality South African
Field installation art, video art, performance

Tracey Rose is a South African artist who lives and works in Johannesburg. Rose is best known for her performances, video installations, and photographs.

Contents

Biography

Tracey Rose is born in 1974 in Durban, South Africa. She attends the University of the Witwatersrand in Johannesburg in Fine Arts where she is obtain her B.A. in 1996. She teaches at Vaal Triangle Technikon, Vanderbijl Park, South Africa and at the University of the Witwatersrand. In February and March 2001 she is artist-in-residence in Cape Town at the South African National Gallery where she develops her work for the Venice Biennale 2001 curated by Harald Szeemann. Tracey Rose is represented in the US by Christian Haye of The Project[1].

Work

Rose's work responds to the limitations of dogma and the flaws in institutionalized cultural discourse. Always evident in her work is a the artist's insistence in confronting the politics of identity, including sexual, racial, and gender-based themes.[2]. According to Jan Avgikos[3], "part of Rose's appeal is her fluid referencing of '60s and '70s performance art".

Exhibitions

According to Sue Williamson[6], "Tracey Rose is not a practitioner who jumps at every curatorial opportunity offered her, and has been known to withdraw from more than one exhibition if the circumstances have not seemed right." Rose's work has been widely exhibited in Africa, Europe and the United States. Recent solo exhibitions include "The Cockpit" at MC, Los Angeles, CA,[7] "Plantation Lullabies" at Goodman Gallery, Johannesburg, South Africa,[8] both in 2008.

Recent group exhibitions include "El mirall sud-africà" at the Centre De Cultura Contemporània De Barcelona, Spain, "Mouth Open, Teeth Showing: Major Works from the True Collection" at the Henry Art Gallery in Seattle, "Memories of Modernity" in Malmo, Sweden, "Check List: Luanda Pop" at the African Pavilion in the 52nd Venice Biennale, Italy, "Heterotopias" at the Thessaloniki Biennale in Greece, and "Global Feminisms" at The Elizabeth A. Sackler Center for Feminist Art in Brooklyn, New York (all 2007).

Caryatid & BinneKant Die Wit Does and Imperfect Performance: A tale in Two States are among her most recent live performances, seen at the Düsseldorf Art Fair in Germany, and the Moderna Museet in Stockholm, Sweden, respectively. In 2001 Rose was also included in "Plateau de l'humanite" in the 49th Venice Biennale curated by Harald Szeemann.

Solo exhibitions

References

  1. ^ The artist profile on Artfacts.
  2. ^ "Art of Africa: The 50 best African artists". The Independent (Independent News and Media Limited). 1 December 2006. http://www.independent.co.uk/news/world/africa/art-of-africa-the-50-best-african-artists-426441.html. Retrieved 2009-04-30. 
  3. ^ Jan Avgikos, The Project - Reviews - Tracey Rose in "Art Forum", October 2002.
  4. ^ Sue Williamson, A feature on an artist in the public eye: Tracey Rose in "Artthrob", n. 43, March 2001.
  5. ^ Tracy Murinik, The Gospel of Tracey Rose in "Art South Africa", v2.4, June 2004. The cover image of the magazine is a work by Tracy Rose.
  6. ^ Sue Williamson, A feature on an artist in the public eye: Tracey Rose in "Artthrob", n. 43, March 2001.
  7. ^ "Exhibitions - Tracy Rose, "The Cockpit"". http://www.mckunst.com/exhibitions/19.TR/index.html. Retrieved 2009-04-30. 
  8. ^ "Tracy Rose, "Plantation Lullabies"". Goodman Gallery. http://www.goodman-gallery.com/troseex.html. Retrieved 2009-04-30. 
  9. ^ Holland Cotter, Art in review: Tracey Rose in "The New York Times", 31/05/2002.

Bibliography